Publikacije

Avtor na osnovi preučenih vicedominskih knjig s konca 14. stoletja iz ponovno dostopnega arhiva koprske komune podaja podobo poznosrednjeveškega Kopra in njegovih mestnih predelov, port. Ugotavlja, da je bil takratni Koper po magnitudi svojega gospodarstva, po številu prebivalstva in po svoji urbani podobi primerljiv s poznosrednjeveškima Zadrom ali Dubrovnikom, ki v zgodovinopisju veljata za največji, kakor tudi za ekonomsko in politično najuspešnejši poznosrednjeveški vzhodnojadranski mesti. Bil je eno najpomembnejših beneških oskrbovališč. Ugotavlja tudi, da družbena podoba in vloga koprskih port ni bila identična njihovi podobi in vlogi v 19. stoletju in v zgodnjem novem veku.

The volume explores the history of the relations between patrons, intermediaries, and Venetian artists in Vienna and in the domains of the Holy Roman Empire between 1650 and 1750. In that period, there was no break between the performing and figurative arts. Based on the studies of Francis Haskell, it can also be said that patronage in Vienna in the Baroque age was part of a cosmopolitan network in which intermediaries were key players. The twenty-five essays are case studies of these relationships that took place both in the territories of the House of Habsburg and in the imperial fiefs, as well as in the rest of Europe, including some non-Venetian artists.